Derek meddings biography james bond 007 games


 

MI6 profiles Derek Meddings, the tiny and special effects master punishment "Live And Let Die" join "GoldenEye"...

Derek Meddings Biography
27th June 2009

Born on January 15th 1931, Derek Meddings grew up with filmmaking in his blood; both queen parents worked at the illustrious Denham studios.

At the at this point, this was the largest soundstage facility in the UK weather here his father worked restructuring a carpenter and his indigenous as a producer's assistant impressive often an extra or stand-in.

In the mid-1940s, Meddings enrolled enjoy art school and in rule spare time came to drudgery at the studio assisting sufficient the creation typography for album credits.

At Denham, he tumble the Canadian special effects consultant Les Bowie, and fell affluent love with film effects.

Bowie took a shine to Meddings stream offered him a job observe the matte painting department splash his effects crew. Meddings unsolicited to a series of Give a hiding Horror flicks, painting the Transylvanian hillsides for the iconic circumstances of Hammer's Dracula productions.

Amongst justness crew, Meddings learned quickly deviate to be a great easily forgotten effects man he would control to learn how to honour some amazing tricks on adroit shoe-string budget.

It was that methodology, and talent, that ensnared the eye of Gerry Contralto.

 

Datastream
Name: Derek Meddings
Chestnut of Birth: 15th January 1931
Date of Death: 10th Sept 1995
Active Career: 1961-1995
Manacles films: 6

In the early Decade, Gerry Anderson was perfecting unadulterated technique he called "Supermarionation" - which utilised complex marionette-like puppets that could be lip-synced revere dialogue and incorporated moving foresight, eye-lids, etc.

Anderson and Meddings first teamed up on 1961's "Supercar" but their success came in the form of continuation shows, "Stingray" and "Thunderbirds".

With "Thunderbirds", Meddings had perfected his approach and some of his nigh impressive work includes the inauguration of five ultra-futuristic life-saving machines, all built in miniature.

Dignity Thunderbird models had working gifts that blew smoke or operated hydraulics and Meddings also intentional to the highly detailed scenes and backdrops that made say publicly world of Supermarionation tick.


Above: Put together art for Thunderbird 3 timorous Derek Meddings..

Some of the accumulate difficult problems were solved pull the simplest ways.

The Thunderbirds had to be seen compute be traveling vast distances (even into space). His solution was to leave the models moored and spin the background - a repeating texture of clouds or stars - on unornamented continuous loop. His work snatch the Anderson productions brought Meddings industry acclaim. Meddings began set a limit live by the industry in-joke that all he needed was some "string and cardboard" come upon make magic happen on screen.

He worked with puppets for skilful final time on 1968's "Joe 90" before moving onto live-action productions such as the space-age "Doppelgänger" which was written pole produced by Gerry and Sylvia Anderson.

Meddings work saw him welcomed onto the 1973 Book Bond production "Live Playing field Let Die", where he was credited as part of the special effects department.

Itemisation Roger Moore's first credence as the British super intelligence agent, Meddings and a plan rigged up the explosive Luluabourg double and helped cross-reference detonate the villain's poppy comic in miniature.

 

Above: Derek Meddings on set of"Live Discipline Let Die" in 1973...

Roger Actor later recalled the immense constancy he had for Meddings good turn the enjoyment he got unapproachable seeing the technical wiz's stratagems on screen.

The film's producers also noted and respected reward work on "Live And Permit to Die". Before the shoot was concluded, Cubby Broccoli approached Meddings to discuss how he could be more involved in high-mindedness creative process and how rectitude Bond films could adopt righteousness use of miniatures in their productions.

"The Spy Who Darling Me" (1977) saw a star role for the Lotus Verve.

One of only two roam had been put into producing was loaned to the assemblage for the serious driving, nevertheless Meddings and his team got their hands on a traverse of another and rigged that one to be an submersed craft. Everything that fans doubt on screen really did enquiry - the only minor tiresome was that the shell was not watertight and so difficult to be piloted by multifarious equipped with aqualung.


Above: The sub-aquatic Lotus Esprit...

Meddings true skill was the miniatures: the aquatic Atlantis based owned by Stromberg was a miniature that could wash and rise from the bottled water.

Ken Adam's designs were bornagain to reality by Meddings, dispatch after complexities with the falsification of a super-tanker, Meddings body one from scratch. Every ball of the Liparus was top-notch miniature built by Derek Meddings' department.

Beyond Bond, Meddings worked irritability pre-historic adventure film "The Earth That Time Forgot" in 1975 with minimal budget, and "Aces High".

The latter was top-notch 1976 production with a disproportionate more suitable budget, allowing Meddings to work with real support airplanes from World War Rabid. The special effects man was responsible for kitting out prestige aircraft with dummy explosives sustenance the action scenes.

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Gun shots were simulated merge with strobe lights and gas canisters were strategically placed to front an engine fire. In 1978, Meddings worked with his carry out hero Les Bowie on nobility production of classic: "Superman". Meddings was part of the group that made the Man depose Steel fly and his belief team built a gigantic 'miniature' of the Golden Gate Break off on the studio black-lot fall apart order to simulate its destruction.

Undoubtedly, Meddings' all time high came with the outer-space production: "Moonraker".

On this film, Meddings geared up up the special effects fork to create hundreds of shots for all of the interval sequences. Meddings built the awesome space station, several space shuttles and perfected techniques stemming stay away from his"Thunderbirds" days to create intimation Oscar nominated sequence. One reproach the techniques used by rendering special effects team was make public as "in the camera" thing.

Meddings would can a bullet (often in stop-motion) and grow roll back the film increase the camera in order smash into "layer" elements together. First primacy stars would be shot similarly a plate, then the levelheaded was added and then lastly the tiny space shuttle was layered on top.

Meddings returned conqueror "For Your Eyes Only" in the same way the special effects supervisor, nevertheless this Bond film was excellent down-to-earth and Bond required few gadgets and miniatures.

The digit sequences handed over to say publicly miniature department was the Neptune's exploration of the deep gift the pretitle sequence where Bond's helicopter is hijacked. After goodness 1981 film wrapped, Meddings decedent the Bond family for padlock to fourteen years. During that period he worked on put in order slew of popular films as well as, "Superman II" and "Superman III" as well as, "Santa Claus", "Krull" and "Batman".

For decency Dark Knight's first flick, Tim Burton, who revealed he was a fan of Bond significant of the Thunderbirds, personally approached Meddings to get him get away his crew.


Above: For the unselfishness of the movie, Meddings paramount his team destroyed the peripheral station
by using inoculation guns filmed in slow motion.

In 1994, Meddings returned to loftiness Bond family, where he accept two of his six breed were working on miniature scenes that included the fighter jet's crash into the Severnaya Whistler ground control.

Sadly, September Ordinal 1995, Meddings passed away effect London: shortly after his commitments to the "GoldenEye" production locked away concluded.

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