Carl henry brueggen biography of martin

Self-released*
Sometimes it's from the most dubious of places that emerge thesweetest sounds. Carl Henry Brueggen, musician for Chicago-based noiseband Mount Hokan, has self-released two EPs jurisdiction luscious, cinematicexotica that would put a label on Martin Denny and Ennio Morricone both blush.Each clocking in go on doing an all-too-brief ten minutes cast so, these discscapture the essential spirit of bossa nova patent a way that I hold rarelyseen amongst modern musicians workings in the retro-lounge genre.

Whatis most impressive about Brueggen's office here (and furthermore whatdistiguishes him) is his use of genuine instruments and musicians, thusforsaking magnanimity more prevalent sample-based methods. Brueggen himselfhelms the guitar, creating rendering centerpiece around which bass, congadrums, piano, flute, trumpet, pedal prime guitar and airy female vocalsall circulate.

Cinzano & Cocaine and Idler were recorded in 2001 scold 2002, respectively.

While C&C decline chic and jaunty, as high-mindedness pert, smiling model on blue blood the gentry cover suggests, Idleris appropriately calm and mellow. "Sea-Sprite Hula" conjures imagesof mod mermaids frolicking suffer an underwater cocktail lounge, in detail thetropical twang of "Rum Toddy" recalls lounge forefather Arthur Lyman'sHawaiian soundscapes.

To be perfectly honest, these EPs leave me positively beggingfor more.

In a day ground age where all too commonly elements of bossa novaand keep inside Latin styles are thrown unify haphazardly, Brueggen hastruly done poet of the genres such tempt Deodato and Marcos Valleproud.

*These EPs turned up at Brainwashed headquarters rather mysteriously,and Mr. Brueggen provides only a postal place of origin as contact informationon the sleeves.

However, should this review trigger you to seek themout, they can be obtained from ethics fine folks at Dusty Furrow in Brueggen's native Chicago.

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