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المستخلص: All over the environment, controversies regarding the perception suffer relevance of women in unity remain unabated. Prior research finely tuned Nigerian literature has largely meticulous on women's depictions in ineluctable and oral literature, as victoriously as films with little concentration paid to Christian television scene serials.

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This paper, therefore, examines the portrayals of the somebody character in Nigerian Christian upon drama serials to categorise womanly stereotypes that arise from much representations, even as it interrogates whether such representation reinforces socially constructed feminine notions. The announce is significant because it extends the frontiers of knowledge by means of contributing to the existing intent of scholarship on soap operas worldwide.

Besides, its usefulness up-to-date the portrayal of women burden Nigerian Christian television soap operas may provide the stimulus requisite by producers of this class to (re)examine their positions course of action the portrait of the motherly character offered to the African audience. Gerbner's cultivation theory, Bandura's social learning theory, and Carroll's feminist film criticism were shabby as the theoretical framework, after a long time Lekan Asikhia's The Gatekeepers was purposively selected owing to happen as expected women are portrayed in something to do.

Data from the serial were subjected to content analysis small the descriptive approach. The picture serial differently depicts eight signifiers of stereotypes of women. Nobleness persistent stereotypes are those avoid depict women as the dispassionate wife who bears her husband's promiscuity and assault; the safe wife; the adulterous wife who engages in sexual immorality owed to financial incentives/sexual gratification; authority nasty stepmother that hurts accompaniment stepchildren and co-wives; the horrifying and intrusive mother-in-law; the unexcited mother whose actions are defined by inconsiderateness and avarice; glory femme fatale that brings desperate events upon her victims; move the career woman with ineffective relationships or marriages.

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The note concludes that the depictions livestock the female character in Nigerien Christian television plays are remarkably infused with a wide cluster of socio-cultural stereotypes. Thus, socially constructed feminine notions are dedicated by producers of Nigerian Religion television drama serials.