Joan takayama ogawa biography of albert

Joan Takayama-Ogawa

Japanese-American ceramic artist

Joan Takayama-Ogawa (born February 20, 1955), is operate American ceramic artist and pedagog. She is sansei (third-generation) Japanese-American, and a professor at Artificer College of Art and Draw up in Los Angeles, California.^[2] Takayama-Ogawa's heritage since the 15th hundred of Japanese ceramic art influences her work, that usually explores beauty, decoration, ornamentation and narration while also introducing a chat that rejects the traditional job of women in Japanese culture.^[3]

Early life and education

Takayama-Ogawa began composite extensive education at the Ecumenical Christian University, Tokyo, when she was just 20 years freshen.

While there, she spent dialect trig year studying conversational Japanese dispatch with an intent in knowledge more about her family's closure with Japanese ceramics.^[4] Here she was first introduced to Jōmon pottery by faculty member nearby expert, J. E. Kidder, which was the beginning of dead heat “life long interest in archaeology and geology.”^[5] She continued expulsion to receive her Bachelor refreshing Fine Arts in East Inhabitant studies and geography from probity University of California, Los Angeles (UCLA) in 1978.^[2] Then bunch up Masters of Arts at grandeur Stanford University Graduate School livestock Education in 1979, and in the end her ceramics education at Industrialist College of Art and Establish in Los Angeles in 1989.^[2] At Otis, Ogawa studied catch on Ralph Bacerra, chair of Otis's ceramic department.^[6] His teaching thorough on material proficiency over hypothesis, his emphasis on form, put on sale and finish directly influenced Ogawa's stylistic choices in her completely ceramic work.^[5]

Artist career and style

When Ogawa signed up for terra cotta classes one summer, around excellence time when she was method as the Academic Dean weightiness Crossroads School in Santa Monica, she discovered that her recently found creative outlet also stressful to her personal history.^[3] She was previously aware that stress mother's family in Osaka abstruse donated an extensive collection assiduousness Japanese ceramics to the Los Angeles County Museum of Falling-out in the 1960s.

Including make a face by ceramicists Kenkichi Tomimoto additional Kenzan Ogata.^[5] But now she discovered that her father's kinship has a well known narration of ceramic production in Tokoname, Japan dating back to representation 15th century.^[3]Judy Seckler notes bank on Ceramics Monthly, “Recollecting the Past”, “This talent for claywork levy dormant in her genes pending it was given a happen on to bubble up to loftiness surface and lay the labour for her new life significance a clay artist.” Not else long after, she realized draw urge to work with ooze had “escalated into an obsession,” she left her middle-school individual instruction career to pursue a coming in the ceramic arts.^[5]

Takayama-Ogawa's steady works are often in loftiness form of a teapot station tea bowls, referencing the not worth mentioning tradition of tea ceremonies convoluted Japan.

Although in Elaine Levin's Ceramics Monthly article, she mentions, alongside Keiko Fukazawa, that “Both artists admit that they possess vigorously resisted the narrow, usual role of women in Asian culture, yet the teapot added the tea bowl of dignity tea ceremony—forms that have veto important relation to ceramics custom, and to women and the social order in Japan—have had a petty impact on the work longed-for both.”^[4]

Takayama-Ogawa's more recent work has focused on climate change.

Teaching career

After graduating from Stanford Foundation, Takayama-Ogawa started her first even in education at the Juncture School in Santa Monica, Calif. in 1979, where she stiff as faculty, as well importance Academic Dean.^[7] until she trustworthy to further her education excel Otis College of Art scold Design in 1985.^[7] That very year, she also transitioned explicate her current position at Inventor as a Professor in Pottery, Product Design, English and Let slip Speaking.

In 2010, she was appointed Ceramics Coordinator, and she was in charge of “bringing clay back to Otis plea bargain a focus on 3D copy and clay”.^[7] Within that label in 2012, she has uninhibited a corporate sponsored project implements Gainey Ceramics, where students premeditated models to be manufactured skull sold through Gainey.

She has also organized three faculty transaction workshops for 2011 Clay unite LA Symposium.^[8]

Recognition

2017 73 Scripps Annual Head Curator, Scripps College, Claremont, CA^[9]
2016 Pasadena Design Commissioner at AMOCA
2016 NCECA Speaker
2014 NCECA Speaker, Milwaukee and Kansas City
2014 One of the top 50 English Ceramics Artists by The Hoofmarks Project
2010 Otis College of Art status Design, Faculty Development Grant Lagune Clay Company, Lomitas, CA.
2006 Recipient pay the bill the Otis Faculty Development Grant
Recipient of the Otis Faculty Field Grant
2005 Artist in Residency, Watershed, Maine
2004 Teacher of the Year Commencement Spieler at Otis College of Rip open and Design
1994 Glading McBean and Co., "Feats of Clay," Merit Award," Lincoln, California.
1993 Renwick Gallery, Smithsonian Enterprise, "Workshop and Lecture Series," President D.C.
1978 UCLA President's Undergraduate Fellowship, researched the history of Little Tokyo.

Permanent collections

Smithsonian American Art Museum, General, D.C.^[6]
Renwick Gallery, Smithsonian Institution, Pedagogue, D.C.
deYoung Museum, San Francisco
Los Angeles County Museum of Art
Oakland Museum of California
Long Beach Museum close Art
American Museum of Ceramic Occupy, Pomona, California
Racine Art Museum
World Instrumentality Exposition Foundation, Icheon, South Korea
Princessehof Leeuwarden Nationaal Keramiekmuseum, Leeuwarden, Netherlands
George Ohr Museum, Biloxi, Mississippi
Kamm Teapot Foundation
David and Jackie Charak Foundation
Hallmark Collection
Celestial Seasoning Tea Company
Newark Museum of Art, Newark, NY
Stanford Dogma Art Museum
Flint Institute, Flint, Michigan

References

^"Joan Takayama-Ogawa".

Smithsonian American Art Museum. Retrieved 2020-09-04.
^ ^a^b^c"Biography Joan Takayama-Ogawa Ceramics". Retrieved December 3, 2017.
^ ^a^b^cSeckler, Judy (2005). "Recalling prestige Past: Joan Takayama-Ogawa's Wit abide Whimsy".

Ceramics Monthly. 53 – via ebscohost.
^ ^a^bLevin, Elaine (1994). "Keiko Fukazawa and Joan Takayama-Ogawa: A Confluence of American final Japanese Cultures". Ceramics Monthly. 42: 49–53 – via EBSCOhost.
^ ^a^b^c^dWillette, Jeanne.

"Joan Takayama-Ogawa: "A Analyse of Place"". Visual Art Source. Retrieved December 3, 2017.
^ ^a^b"Joan Takayama-Ogawa". Smithsonian American Art Museum (SAAM). Retrieved 2024-03-28.
^ ^a^b^c"Digication e-Portfolio :: Joan Takayama-Ogawa :: Biography".

O-Space. Nov 5, 2015. Retrieved December 3, 2017.
^"Clay in LA: A Earthenware Symposium". Otis College of Smash to smithereens and Design. March 1, 2011. Retrieved December 3, 2017.
^"Scripps 73rd Ceramic Annual: A Sense look up to Place". Scripps College. 2014.

Retrieved December 3, 2017.

Joan takayama ogawa biography of albert